November Mars in Subtle Salmon

Mars

Mars
By John Karlsson

This was a great night, clear and fairly calm for where I live here in Vernon BC Canada. I couldn’t pass up sketching this one. It was late and I had to get up for work at 6:30. I only wish I had better optics to give me some more contrast. I did however use my variable polarizing filter to bring down the contrast. It was glaringly bright.

John


Note: John used Crayola pencil crayons to create realistic color for this sketch. He blended the colors lightly to prevent streaks from showing as much as possible. John layed down a peach base first, and overlapped this with a layer of orange. He applied shading for the dark albedo features using a blending stump loaded with graphite from a 2H pencil.

Precious Moments of Totality

Solar Eclipse

Solar Eclipse
By Serge Vieillard

If you were about to experience the brief but awesome spectacle of a solar eclipse, would you take the time to immerse yourself in a sketch of the event? If you have a passion for sketching astronomical objects and events, you may find yourself attempting what Serge Vieillard did. On March 29, 2006, Serge and 14 other club members journeyed to the Sahara Desert in Libya to view the eclipse. Racing across the dusty landscape in 4x4s to arrive at the site on time, they set up to the southeast of the volcano, Waw Enamous. As the eclipsed deepened, they found themselves entranced by an indescribable atmosphere: the sky darkened, Venus appeared, shadows began to shift, Bailley’s Beads began to sparkle, leading finally to totality. With that, the immense corona blossomed before them while solar prominences emerged and evolved as the moon passed before them.

Rather than photograph this awe inspiring event, Serge chose to harken back to an earlier era of astronomy and he sketched it instead. Because totality would only last 4 minutes, he had to be fast and deliberate in his sketching method, observing with a Kowa 77 mm TSN-2 for wide views of the corona, and a Meade ETX-90 at 100X for viewing the prominences. During those brief 4 minutes, Serge sketched the main contours of the corona, and sketched in the positions of the dancing prominences. Immediately after totality broke, he spent the next several minutes finishing the details of the sketch while it was still fresh in his mind.

Serge used colored pencils to add color to the sketch. However, since he was drawing on white paper and would be inverting it after scanning, he used a technique adapted from his previous color observations and sketches of M42, the Great Orion Nebula. By pre-testing, scanning, and inverting the color values of several pencils, he was able to determine what colors would produce the best color once the sketch was inverted after scanning. The results speak for themselves in this outstanding illustration.

The entry from Serge’s website is included below in the original French. (Google Language Tools may be helpful in translating if you do not read French.) More of Serge’s incredible sketches can be found at his website: ASTRONOMIE AMATEUR OBSERVATION VISUELLE CROQUIS ASTRO.


Eclipse totale du 26 mars 2006, dans le désert Libyen, au sud est du volcan waw Enamous. Une aventure exceptionnelle que nous avons vécue avec 14 copains(es) du club. Découverte d’un pays, du Sahara, d’un autre mode de vie. Course effrénée des 4×4 dans la poussière pour être présent sur le site au bon moment. Une ambiance indescriptible, assombrissement du ciel, apparition de Vénus, des ombres volantes partout, les premiers grains de Bailly, arrachage des filtres et ça y est ! Couronne solaire énorme, nombreuses protubérances dont la visibilité évoluera au fil du phénomène selon de déplacement de la lune. J’ai tenté ce croquis, évoquant à l’ère du numérique une astronomie d’une autre époque, ambiance 1900, à l’oculaire de la longue vue L80 pour la couronne et de l’ETX x100 pour les protubérances. Les 4 minutes sont passées comme un éclair. Je n’ai eu le temps que de marquer au mieux le contour des différents panaches. Tout de suite après la totalité, l’image encore en mémoire, j’ai apporté la texture particulière et les finitions pour ce résultat étrange…


Pillars and Threads of Plasma

Prominences and Filaments

Solar Prominences and Filaments
By Erika Rix

Erika’s composite solar H-Alpha sketch from October 29, 2007, features prominences along the eastern limb as well as delicate filaments on the solar disc itself. Material used: black Strathmore Artagain paper with a combination of white Conte’ pencil for the brighter, more dramatic areas and white Prang pencil for the fainter areas.

Giant Colorful World of Gas

Jupiter

This sketch was done on Rite in the Rain paper with colored pencils.  I used the
edge of my eraser shield for the bands and blending was difficult with the waxy feel
of the Prang pencils.

An Orion ED80 was used on an LXD75 mount, all of which were on antivibration pads in the observatory.  The eyepiece was a Zhumell 21-7mm zoom

Erika Rix
Zanesville, Ohio

A Capacity for Opacity

Ha Sun 

2007 08 26, 1700-1928 UT

PCW Memorial Observatory, Zanesville, Ohio

Equipment used:

Internally Double stacked Maxscope 60mm, WO Binoviewers, 20mm WO EP’s, LXD75.

Meade ETX70-AT, 21-7mm Zhumell, glass white light filter.

Seeing above average with only a few moments of quivering, transparency above average.

Temps 80.1 °F / 26.7 °C to 78.1 °F / 25.6 °C over course of observation.

Winds 4.6 mph – 6.9mph NNE/ 11.1 km/h.

Clear progressing to mostly cloudy by the end of the session.

Humidity 54%

Sketching media: The white light sketch was done on copy paper with a number 2 pencil.

The Ha sketch color sketch was done using black strathmore paper with color Prang pencils.
 

Word for the day:  Opacity

According to my heavy, red, weathered Merriam-Webster’s Collegiate Dictionary (tenth
edition), opacity is defined as:

“n, .1: the quality or state of a body that makes it impervious to the rays of
light; broadly: the relative capacity of matter to obstruct the transmission of
radiant energy..2b: the quality or state of being mentally obtuse: Dullness.”

I kind of got a kick out this.  It appears that with one word, I can attempt to
discuss opacity of the Sun and yet at the same time try not to create opacity while
doing it.

Studying the Sun, as well as anything worthwhile, can be very confusing and
sometimes overwhelming.  It helps to understand the basics such as knowing that the
Sun is a giant ball of gas.  It has several layers starting at the inner most called
the core. The majority of the Sun’s core consists of hydrogen.  By nuclear fusion,
the hydrogen is converted into helium.  The key here is that in doing so, energy is
created. Energy equals heat.  All in all, when we think of the Sun, we think of
radiation, or electromagnetic radiation to be more specific.  Radiation is a process
that transports energy.  Electromagnetic radiation is a radiation that carries
energy through empty space by means of waves at the speed of light. 

You see, atomic particles (created by the nuclear reactions in the core) speed up
and grow from the exchange of varying flows of electrical and magnetic fields, which
is where electromagnetic radiation originates.  Following me so far?  Here’s where I
start to get back on topic.  Electromagnetic radiation has both wavelength and
frequency.  When you multiply the two together, you get the velocity of light.  If
one of the variables increases, the other has to decrease for the velocity of light
to stay constant.

Oh, how easily it would be to dive in further with all this.  But I need to stay on
track with the first definition of opacity.  Wavelengths are compiled in what we
call a spectrum.  And this is when we get into means possible for us to view the
Sun. 

Imagine the energy being transported through a few more layers of the Sun, each
layer quite a bit hotter than the previous as it extends away from the core.  We
finally reach the layer that most call the “surface” of the Sun, the Photosphere.
Does that look Greek to you?  Well, not to worry.  It is Greek.  The Greek word
“phot” stands for light and “sphere” of course stands for round ball. 

In the photosphere, the gas is heated so much that it burns bright giving off most
of its energy close to the middle of the spectrum, creating visible light.  And it
doesn’t end there.  Reaching out from that thin layer of burning gas is the
chromosphere, meaning round ball of color.  After a brief pass through the
transition region, the energy enters the corona and then outwards as solar wind.
Each layer is visible through specialized means.  Each layer involves our word for
the day, opacity.

One evening, quite a few years back, my brother in law and I were cooking supper
together. I was in charge of the chip pan and cutting up the potatoes.  I could see
him very clearly across the room and the air was transparent and had a zero optical
thickness.

As we were talking to each other from different ends of the kitchen, we soon noticed
that we were getting harder for the other to see. In other words, the optical
thickness was getting thicker.  By the time we became alarmed to this fact, the
smoke was nearly opaque with an optical thickness of close to 9.  I could hardly see
him anymore.  As he walked toward me, I could see him more clearly and by the time
he reached me the optical thickness was perhaps a 3.

We removed the smoking chip pan that caused the smoke from the stove, opened the
kitchen windows, grabbed the dog and a bottle of wine, and sat out on the steps of
the flat, watching the smoke roll out of the kitchen window.  I don’t recall what we
ever did for supper that night, but I suppose that’s beside the point. It was a
perfect example of opacity and how I measured it. The same is done when viewing the
Sun.

The further into the Sun we look, the higher the opacity. We can only see up to
approximately an optical thickness of between 0.5 and 2.  The photosphere is said to
have an optical thickness range of close to 3/4, and it includes all the light that
we can muster from the Sun, meaning white light.  If I wanted to view through a
narrowband filter such as a hydrogen alpha filter, the optimal optical thickness
would be reached before I even gazed into the Sun as far as the photosphere.  I
would in fact start at the Chromosphere.  This is wonderful news for us in that by
using special filters, it changes the opacity from a zero to us being able to
actually see the color of the light in this layer of gas, blocking out all the other
colors that would have hidden this color otherwise.

Well now, I’ve come full circle with opacity!  And what does this have to do with my
observations today?  Well everything to be honest.  Opacity is what strives us to
find new filters for trying to tease out as much detail as we can.  And there’s
information to be had if we can look at different layers of the sun.  In my
observations today, I viewed in both the photosphere and the chromosphere.  Two
different gas layers with a temperature difference of over 4000 degrees Kelvin
(chromosphere at 10,000 K and photosphere at 5780 K).  Each will allow us to see
slightly different details on the Sun and each are important to consider while
studying it.

This first observation was recorded in hydrogen alpha.  You can see the effects of
the magnetic fields through the long fingers of the filaments holding the cooled
dense gas in place.  Although this observation is mainly in the chromosphere and
lower parts of the corona, the filaments are generally held in place by regions of
opposing magnetic polarity within the photosphere.  Of course this is also the case
for the prominences, as prominences are filaments above the limb where the gas is
set in front of the black sky instead of the disk.  Although the filaments were very
impressive on the disk itself, they were not so impressive on the limb today.
Having said that, take a look at the faint section of prominence that appears to be
floating off the limb in the WNW region.

NOAA 10969’s plage intertwined and reached out with crooked fingers. 

White light 

The next observation was using a white light filter where over 99.999% of the Sun’s
light is blocked out, making it possible for me to view the photosphere.  This is
called white light.  You can see NOAA 10969 in the cooler layer.  The chromosphere
becomes invisible to me again.  The two dark sections of umbrae within the penumbra
of this action region were very prominent.  I could see a darkened outline of the
penumbra and it had an almost rectangular shape with curved corners.  Of particular
interest was the very faint darkened area to the right of the sunspot.  This happens
to me fairly often, seeing little bonus features like this.  I’m still not sure what
causes it.  Normally I would think it was contrast from faculae that I was unable to
discern.  Normally we can only see faculae closer to the darker limb regions. But
often I can see an outline of contrast suggesting faculae present when the active
region is toward the center of the disk.

This time it is a little different.  If I didn’t know any better, it looked like a
thick triangular cooler region next to the sunspot.  By this I mean cooler than the
photosphere, hotter than the umbra, and only just slightly hotter than the
penumbrae.

With so much to learn concerning the sun, at least we learned one new word.  It’s a
start in the right direction anyway. 

Erika Rix

Eighteen years ago

lunar eclipse

A Total Lunar Eclipse of the Past: August 16, 1989
  
  On this evening as the moon rose it was both cloudy and foggy over Lake Michigan
to the east. It looked as if the weather was going to spoil the show. As
Capricornus carried the moon higher in the sky to the south, conditions improved
and eventually the entire sky cleared as totality began. During the second half of
totality the moon nearly disappeared from view. This was a dark lunar eclipse.
Just after 10 pm local time I made this color pencil sketch on black construction
paper to approximate the 50mm binocular view.
  
  Frank McCabe

Two views of the nearest star

 Colored Ha Sun

You can see the effects of the magnetic fields through the long fingers of the
filaments holding the cooled dense gas in place. Although this observation is mainly
in the chromosphere and lower parts of the corona, the filaments are generally held
in place by regions of opposing magnetic polarity within the photosphere. Of course
this is also the case for the prominences, as prominences are filaments above the
limb where the gas is set in front of the black sky instead of the disk. Although
the filaments were very impressive on the disk itself, they were not so impressive
on the limb today. Having said that, take a look at the faint section of prominence
that appears to be floating off the limb in the WNW region.

NOAA 10969’s plage intertwined and reached out with crooked fingers.

Sun white light

The next observation was using a white light filter where over 99.999% of the Sun’s
light is blocked out, making it possible for me to view the photosphere.  This is
called white light.  You can see NOAA 10969 in the cooler layer.  The chromosphere
becomes invisible to me again.  The two dark sections of umbrae within the penumbra
of this action region were very prominent.  I could see a darkened outline of the
penumbra and it had an almost rectangular shape with curved corners.  Of particular
interest was the very faint darkened area to the right of the sunspot.  This happens
to me fairly often, seeing little bonus features like this.  I’m still not sure what
causes it.  Normally I would think it was contrast from faculae that I was unable to
discern.  Normally we can only see faculae closer to the darker limb regions. But
often I can see an outline of contrast suggesting faculae present when the active
region is toward the center of the disk.

This time it is a little different.  If I didn’t know any better, it looked like a
thick triangular cooler region next to the sunspot.  By this I mean cooler than the
photosphere, hotter than the umbra, and only just slightly hotter than the
penumbrae.

2007 08 26, 1700-1928 UT

PCW Memorial Observatory, Zanesville, Ohio
Equipment used:

Internally Double stacked Maxscope 60mm, WO Binoviewers, 20mm WO EP’s, LXD75.

Meade ETX70-AT, 21-7mm Zhumell, glass white light filter.

Seeing above average with only a few moments of quivering, transparency above average.

Temps 80.1 °F / 26.7 °C to 78.1 °F / 25.6 °C over course of observation.

Winds 4.6 mph – 6.9mph NNE/ 11.1 km/h.

Clear progressing to mostly cloudy by the end of the session.

Humidity 54%
H-alpha sketch was rendered using Prang colored pencils and Black Strathmore
Artagain paper.  White light sketch was created with photocopy paper and a number 2
pencil.

Erika Rix

Early Morning mars

Mars 

I have attached my latest Mars sketch for your interest. This resulted from my 3rd
observation of Mars during this opposition. Unfortunately seeing was too poor
during the 2nd session to allow me to make a ‘reliable’ sketch.

Mars SPA
  
I find observing in the early morning so invigorating and am always on a high
for the rest of the day following such an opportunity. As I have noted so often
before the view gets more detailed and contrasty as the dawn sky brightens. On
this occasion I noted a distinct brightening along the northern polar region
which I hope I have depicted agreeably in my sketch.
  
When I observe and sketch Mars I never research what I’m likely to see in case
some preconceived image might cloud my vision of reality at the eyepieces.

Dale Holt

Standing On The Shoulders of Giants

Mu Cephei 

µ Cephei: Red Supergiant

µ Cephei, was first discovered by William Herschel and called Garnet
Star, because it appears to shine in garnet red due to its spectral
class of M2Ia. It is the reddest star visible with the naked eye and may
be one of the brightest and largest stars in our whole Galaxy.
It is a Red Supergiant in the last phase of its life, fusing helium into
carbon. Its radius is 1425 times the radius of the sun and it is 38000
times brighter – only thinking about those numbers can do your head in.
Sketching it was easy, however, more than once interrupted by passing
clouds.

Date: November 18, 2006
Location: Erbendorf, Bavaria, Germany
Instrument: Dobsonian 8″ f/6
Constellation: Cepheus
Seeing: II-III of VI
Transparency: III-IV of VI
NELM: 5m0
Magnification: 80x
Technique: pencil on white paper, digitally enhanced in Photoshop

Sebastian Lehner