Total Eclipse of the Moon – December 10, 2011

Lunar Eclipse - December 10, 2011
Lunar Eclipse - December 10, 2011

After careful plans to observe the total lunar Eclipse of Dec 10th 2011 in the Portland city center, fog formed late, so plans to relocate were rushed at the last minutes as we drove fast from the city to the Columbia River Gorge Crown Point Oregon Vista House, yet only to find a hundred people, photographers, etc, most were ensconced in their cars with engines running, while Gorge east winds gusted to 60 mph with 25 degrees F.

So I set up my Celestron Nexstar 5i telescope anyway, huddled into the wind-shielded side of the Vista House with a few brave other photographers. I made quick mental notes of the image at medium power through the telescope and began to photograph crudely as the wind buffeted the scope and my Sony NEX5 camera poised high and teetering on its tripod over the telescope eyepiece. It was difficult at times as I began to speak as my hands froze and unable to operate the telescope or the camera, worse, many people approached then asking me if I could tell them what was happening as I appeared as the only professional with serious equipment in the grueling wind and freezing temperatures. They heard in the media and then recalled all the hoaxes of misunderstanding of the moons image as a rare visible sight setting in the west while the sun rose in the east. I had to explain the atmospheric effects of light bending through a natural lens. It was fun and although the constant fumes of diesel engines running for those who would not disembark from their warm cars, a few of us weathered the bitter cold, ironically lady friends of mine stayed until sunrise, where my professional photographer friend dressed in Alaskan outback parka and full proper clothing, refused to get out of the car.

Much in post preparation was then later made in the past week at home to produce this accurate large technical documentary dry pastel sketch onto 19″ X 25″ black Strathmore pastel paper completed today, December 19th 2011. It comprises a time span of possibly an hour as the moon was also observed at speed in my Mercedes side view mirror as I drove out the I-84 highway at super-legal speeds, the earths red shadow on the moon changed fast. So the sketch is possibly at just before full totality. Then daylight began to creep up in the east just as I arrived and set up the telescope [as depicted in the reflection of the old historic gas street lamps at Crown Point. Portland’s city lights 30 miles to the west are seen under a shroud of fog. This is also rendered in the sketch and as a final artist’s conception, the still deeper reflection of the moon as an image seen in a mirror within a mirror, on the Vista House windows.

– Mark Seibold

Sunrise over Copernicus

Copernicus Crater
Copernicus Crater

Object Name: Copernicus crater
Object Type: Lunar crater
Location: Deventer, The Netherlands
Date: Februari 1st, 2012
Media: White pastel pencil on black paper

I made this pastel sketch of crater Copernicus from my backyard in Deventer, The Netherlands. It was very cold (15,8F) but the seeing was pretty good. I observed from 18.00UT till 19.00UT. Sketch is made with white pastel on black paper. The telescope I used was my old 3″ f/16 Polarex/Unitron refractor.

Clear skies,
Roel Weijenberg
www.roelblog.nl

Pallas and Ruinous Murchison

Pallas and Murchison
Pallas and Murchison

Dear Lunar fans hope this might be of interest? A study of Pallas and ruinous Murchison I made yesterday evening (January 31, 2012, 2130UT), I was using the Watec 120N+ with the 20″ mirror onto a b&w monitor, very cosy in the -3 temp outdoors, various pastels, pencils and paint were used on black heavy grained art paper.

Best, Dale
http://chippingdaleobservatory.com/blog/

Viewing the Crater Line Linne

Crater Line Linne
Crater Line Linne (Move mouse over image to view labels)

This clear, cold evening provided from my location the opportunity to observe and sketch the straight line row of small craters from Linne A to Linne G. All five of these craters range from three to five kilometers in diameter. Other yet smaller craters were spotted during brief moments of good seeing but were not included in this sketch. Near the top center of the sketch the sixth bowl shaped crater Banting (5 km.) is clearly visible. South is up in the sketch so the Little Linne sequence from top to bottom is A ( 4 km.), B ( 5 km.), F ( 5 km.), H ( 3 km.), and G ( 5 km.). What especially caught my eye here on the floor of Mare Serentitatis were the fine, long shadows from each of these little craters.

Sketching:

For this sketch I used: Canson Black Ingres textured paper 8″ x12″, white and black tone pastel pencils and crayons, blending stumps, white pearl eraser

Telescope: 10 inch f/ 5.7 Dobsonian and 6 mm eyepiece for a magnification of 241x
Date: 01-30-2012 1:20-2:00 UT
Temperature: -4°C (24° F)
Clear, calm
Seeing: Pickering 5/10 – Antoniadi III
Co longitude: 347.3°
Lunation: 6.74 days
Illumination: 39.6%
Frank McCabe

Mare Imbrium

Mare Imbrium
Mare Imbrium

Aloha!

I submit my most recent sketch of a close up detail of Mare Imbrium of 1/1/12. First observation of the New Year for me & first attempt using white pastel & black artist paper for a moon sketch. I found it a bit frustrating at fist since I have always sketched in black charcoal on white paper for the moon. After I got the hang of it I really enjoyed the texture & detail I could create with the black paper.

I am currently working on an Astronomical League Certificate for the moon and I am amazed how much more detail I must learn to sketch. I want to know what every crater & peak of light is that I am recording on paper.

On this night I used my 8” Dobsonian & 14mm Explore Scientific EP
Seeing was excellent, Temperature 65 degrees F from 4000 ft elevation
Maui, Hawaii

Thia Krach

Comet Lovejoy

C/2011 W3 (Lovejoy)
C/2011 W3 (Lovejoy)

Hi,

My name is Peter M Moriz. I live at Moonee Beach, Australia. I’ve just started to do sketching. This is my third sketch I’ve attempted. The other 2 were of small g/c’s…..

This sketch was done at Nana Glen west of my home town to get a little darker skies to see more of the comet’s tail. It was done naked eye and it goes from horizon to crux, say around 30 to 35 degrees. I put the milky way in the top of sketch to get some idea of how big the comet has become. The Coal Sack is there as well….it was done on the 28th of December 2011 and around 3.30am and had taken me around 45 minutes to do..I hope you enjoy the sketch–Alex, a fellow sketcher here in Australia, said I should submit it.

Media: black sketch paper A4 size with white pastel and white ink pen

Thanks for the time to read and view my sketch.

Peter (Mozzie) :my nickname

Southern Jewel

47 Tucanae
47 Tucanae

Hi all,

This October New Moon saw me attend for the first time the Ice In Space Astro Camp. The forecast threatened thunderstorms, but as luck would have it, the clouds parted to give us a great view of the sky. Thunderstorms did happen, but we only saw the glow of the flash of lightening from a massive storm system that lay behind a ridge.

My first sketch of the night was of 47 Tuc (NGC 104). This massive globular cluster is considered to be the remnant core of a galaxy long ago swallowed up by our Milky Way. There is at least one other remnant core, that being Omega Centauri.

The view of 47 Tuc through my 17.5” is nothing but astounding. At 125X the whole FOV is filled with countless stars. Its core is very compact and extremely bright, and the reach of the remaining ball of stars is impossible to determine its limits. Transparency was a little lacking, but you take what you get sometimes.

For once I added a FOV ring around the subject. My customary ringless sketch lacked a little something with this one as the field doesn’t extend to the edge of the page, the excessive blank black caused a lack of context. The FOV ring this time I feel gives that context to the sketch with only a small amount of extraneous stars lying just outside the ring.

An interesting comparison is between 47 Tuc and Omega Centauri, the two largest globular clusters in the sky. Omega’s core is larger in apparent size, while 47’s is much more compact and intense. This makes for an easier pick-up of ‘fingerprint’ patterns within Omega, while these patterns are much more subtle and even fickle in 47 Tuc. Still, these differences make for their distinct & unique qualities.

This was a challenge to sketch faithfully. As most of the stars in this cluster are actually quite faint on their own, it became more of a matter of attempting to lay down an impression of the collective features. The patchy ‘mini clusters’ around the perimeter, the suggested arcs and lines, and the distinct three ‘dark’ spots on the core, one of which is more of a bar that lies above two of the spots.

I hope you enjoy this sketch.

Alex M.

Object: 47 Tuc (NGC 104)
Scope: 17.5” f/4.5 push-pull dob
Gear: 16mm Unitron König, 125X
Location: Lostock, NSW, Oz
Date: 30th October 2011
Media: White pastel pencil and white gel pen on A4 size black paper
Duration: 1.5hrs.

The Pleiades and the Moon

Messier 45 and the Moon
Messier 45 and the Moon

Object: The Pleiades (M45) and the moon
Object type: Open cluster/moon
Location: Montreal, Canada
Date: December 8th, 2011
Media: White pastel on black paper, digital retouch

I marked the date in my agenda: The beautiful Pleiades and an almost full moon side by side. Something not to be missed. And the conditions were good: no clouds and a comfortable 3°C.

My 15 X 70 binoculars were the perfect instrument for this observation as the two objects could fit within two field of view. A sketch had to be done…

Jean Barbeau

Clouds Spoiled the Occultation

Moon and Xi Sagittarii
Moon and Xi Sagittarii

Hi.
Yesterday (October 31st) I went to see interesting occultation. The star Xi Sagittarii was to be obscured by the Moon. Unfortunately, five minutes before the occultation the clouds came. What a bad luck.
So I have only a sketch of the Moon and Xi Sgr in short distance from each other 🙁

Object: Moon & Xi Sagittarii
Date: October 31st, 2011
Time: About 18:25 (6:25 PM)
Place: Nowy Sącz, Poland
Equipment: Binoculars Bresser 10×50
Technique: White pastels on black art paper. Tooling, levels, color, light in GIMP2
Author: Aleksander Cieśla (Wimmer)